| Date |
City |
Exhibition Venue |
| 1954 |
Paris |
65th Salon des Indépendants – Retrospective |
| 1955 |
St. Etienne |
Art and Industry Museum, La nature morte de Géricault a nos jours (Still life from Gericault to date) |
| 1966 |
Eindhoven |
Stedelijk van Abbe-Museum, “Art, light” |
| 1967 |
Paris |
Modern Art Museum, “Light and Movement” |
| 1968 |
Paris |
Modern Art Museum, “Russian Avant-Garde Art” |
| 1969 |
Paris |
Jean Chauvelin Gallery, “Aspects of Russian Avant-Garde” |
| 1970 |
Paris |
Salon des Indépendants |
| 1971 |
New York |
Leonhard Hutton Galleries, “Russian Avant-Garde 1908-1922” |
| 1973 |
Paris |
Grand Palais, Salon des Indépendants, “Art from 1912-1914” |
| 1973 |
London |
Fischer Fine Art, “Tatlin’s Dream – Russian Suprematist and Constructivist Art: 1910-1923” |
| 1974 |
Heidelberg |
Kunstverein, “Russische Visionen” (The Russian Vision) |
| 1975 |
Paris |
Salon des Indépendants |
| 1978 |
Munster |
Westfälisches Landesmuseum, “Abstraktion – Kreation: 1931-1936” (Abstraction – Creation) |
| 1978 |
Paris |
Modern Art Museum, Abstraction – Création |
| 1979 |
Paris |
Grand Palais, 90th Salon des Indépendants, L’Or des Années Folles, (The Treasures of the Golden Years) Gallery Bellini, “Les russes – Paris” (The Russians in Paris), Pompidou Centre, “Paris – Moscow: 1900-1930” |
| 1983 |
Berlin |
K’nste Academy, Symbolismus Futurismus. Aspekte russischer Kunst zu Beginn des 20. Jahrhunderts (Aspects of Russian Art at the beginning of the 20th Century) |
| 1984 |
Paris |
National Grand Palais Gallery, “One Century, One hundred Masterpieces”, “Primitive Art/Modern Art”, G. Pompidou Centre |
| 1985 |
Ludwigshafen |
Wilhelm-Hack-Museum, Apocalypse |
| 1986 |
Paris |
National Modern Art Museum, Georges Pompidou Centre, Qu’est-ce que la sculpture moderne? 1900-1970 (What is modern sculpture? 1900-1970” |
| 1986 |
Venice |
Palazzo Grassi, “Futurismo & Futurismi” |
| 1987 |
Winnipeg |
Canada, Winnipeg Art Gallery, 1912 Break up of traditions |
| 1987 |
Cologne |
Gmurzynska Gallery, Meister des XX Jahrhunderts (20th Century Masters) |
| 1987 |
Budapest |
“Art and Revolution” Exhibition |
| 1988 |
New York |
Roy Anderson & Linda Gould Gallerv, “Art at the Armory” |
| 1988 |
Vienna |
Austrian Museum for Applied Arts, “Kunst und Revolution” |
| 1989 |
Berlin |
Berlin Gallery, Stationen der Moderne |
| 1989 |
Turin |
Lingotto |
| 1989 |
London |
Roy Miles Gallery |
| 1992 |
New York |
Modern Art Museum The Great Utopia |
| 1992 |
St. Paul de Vence |
Maeght Foundation Art in Movement |
| 1992 |
Frankfurt am Main |
Schirn Kunsthalle, Die grose Utopie (The Great Utopia – Russian Avant Garde) 1913-1932 |
| 1992 |
Amsterdam |
Stedelijk Museum, “De Grote Utopie” |
| 1993 |
Moscow |
Tretiakov Gallery, “Vilikaya Utopia” |
| 1993 |
Munich |
Stuck Villa, “The Avant garde and the Ukraine” |
| 1993 |
Paris |
9th District Town Hall, Association of Russian Painters in France |
| 1994 |
Clermont Ferrand |
Conservatoire National des Arts et Métiers, ‘international colloquium on Father Castel and the ocular harpsichord’ |
| 1997 |
Milan |
Capitani Gallery |
| 1998 |
Strasbourg |
Modern Art Museum |
| 1998 |
Paris |
Towards media ecology |
| 1999 |
Paris |
Montparnasse Museum |
| 2000 |
Bordeaux |
Beaux Arts Museum |
| 2000 |
Paris |
UNESCO |
| 2001 |
Paris |
National Modern Art Museum – l’Ecole de Paris |
| 2001 |
Basle |
Museum |
| 2002 |
Bordeaux |
|
| 2002 |
Munich |
Biedermann Gallery |
| 2003 |
Madrid |
Thyssen-Bornemisza Museum, Kandinsky and his contemporaries |
| 2003 |
St. Paul de Vence |
Maeght Foundation |
| 2003 |
Paris |
D’Orsay Museum “Aux origines de l’abstraction 1800 – 1914” (The origin of abstraction) |
| 2003 |
Bordeaux |
Beaux-Arts Museum “Paris Russe 1910 – 1960” (Russian Paris) |
| 2003 |
Paris |
Montmartre Museum, “Un été russe – Montmartre” (A Russian Summer in Montmartre) |
| 2003 |
Wuppertal |
Van Der Heydt Museum, “Russisch Paris 1910 – 1960” (Russian Paris) |
| 2004 |
Paris |
Pompidou Centre, “Musique et Arts Plastiques au XX eme siecle” (Music and Plastic Art in the 20th Century) |
| 2004 |
Washington |
Hirshhorn Museum and Sculpture Garden Color Music: Synaesthesia in Modern Art, 1908 – 1968 |